raar is deeply proud to present the first full length album from label co- founder maelstrom, entitled -her empty eyes-. both an evolution of the producer s rich history and an intellectual departure from everything that has preceded it, -her empty eyes- is a work that is uncanny, challenging and meditative.

punky noise, woozy hip-hop and oddball electronics are throwing a rager and it’s a colorful one. such is the basis for new ghostly signee psymun’s rainbow party ep, a three-track foray into the far reaches of hip-hop from the minnesotan music-maker.

since 2015, james welshs contribution to phantasy as kamera has delivered a series of releases shrouded in mystery, injected with the personal energy of both a hardcore and club heritage. two eps, arc and ventoux, set a distinct tone, with the latter complimented by head-turning remixes from artists such as george fitzgerald, throwing snow, truncate and yaleesa hall. now, the key phantasy artist emerges from the shadows under his own name, in order to continue his uncompromising musical journey. returning with a new, two-track ep, standing/slip captures the finely tuned tension and euphoric release of welshs sound in arguably its strongest form to date, showcasing not only the dancefloor mettle firmly established under his prior alias, but a new sense of wistfulness that coaxes his typically outstanding machine work into altogether more reflective territory. standing throws listeners headlong into welshs formerly anonymous industrial complex, generating a churning, relentless rhythm offset with a dry female vocal that recalls the sardonic stance of vintage electroclash. following this, slip is an initially unexpectedly spectral diversion, transmitting a curious synth line into space, and receiving a choral, sombre frequency in return. without losing its emotive qualities, the track succumbs to a hailstorm of welsh’s sharp, potent drums, before collapsing in understated catharsis.

next up in the series of remixes for auntie flos acclaimed theory of flo lp, we ve employed the services of our buddies from stockholm, london and russia in the form of kornél kovács, throwing shade and lipelis respectively. each of them have done an amazing job turning each track into something very special, as we re sure youll agree.. released on vinyl courtesy of highlife x huntleys + palmers in march 2017.

making his debut appearance with the magic circles music label, smashed atoms lays down the law with a bubbly, warm and disco-inflected vision of contemporary house music for the groovier end of a warm up session. -holding on- bursts with positivity as chirpy organ stabs and plush pads swirl around the slow but strong rhythm section. -the people come together- meanwhile gets a late 80s boogie kink in its swagger, ramping up the bass and throwing in some powerful chord progressions to get the soul stirring. -wonderlust- finishes the ep off with a breezy, summer-ready jam for feel-good times in the sun or under the stars.

selbstbetiteltes debütalbum der londoner sängerin und produzentin kelly lee owens, die dream-pop-melodien auf einer klangfläche aus dubbiger electronica und stumpfen unterwasser-bassimpulsen singt. an der entstehung des geisterhaften “keep walking” war uk-techno-produzent daniel avery beteiligt, während die derzeit gefeierte norwegerin jenny hval auf der leadsingle “anxi” ein gastfeature gibt.

timmo follows up his debut drumcode release we beat on with a brand new 4-tracker packed to the rafters with his own unique blend of techno. his productions are getting plays from the likes of adam beyer, joseph capriati and richie hawtin amongst others, 2017 is set to be his biggest year yet. timmo s unique sound has captured the eyes and ears of many highly revered techno djs around the world and his system release is a stark reminder of exactly why this is. intensify is a big room record that is set to do some real damage on dancefloors worldwide. this peak time tool thumps through 7 minutes of power, dragging you in and throwing you out the other side as the track rolls on. the maze is an example of his excellent production, with his use of synths on a level that some producers take years to hone. system is a haunting track, authentic four-to-the-floor techno that screams in to top gear right from the off. the release closes with the more groove and bass line laden together . one of those tracks that is guaranteed to get stuck in your head

london label spinning plates steps up for round three with the lesser known talents of nekhsa throwing down some crucial electro styles.132 breaks is an utterly minimalist slice of drum machine funk, and completely infectious with it, while some jan works a cheeky bassline rub into the sparse soundscape. back in 4 and bidniz are both just as reduced in their construction, but then its up to dj spider to weigh in with a pair of remixes that find the new york producer on savage form. his version of bidniz is a dense, cloying workout loaded with sinister sound design, while some jan turns into an apocalyptic techno destroyer in his capable hands.

this will mark the first time all of these tracks will be available on vinyl. further, the album will feature unreleased tracks from cringe machine as well as a twins remix of love letters contribution nag. an interview of harsh riddims ryan parks by 2mrs mike simonetti (and vice versa) make up the liner notes and the labels will be throwing parties in nyc and atlanta to celebrate the release.

its an all us line-up as we welcome back to strictly the soulgasm main man brian coxx along with new production partner morsy for feel it, their stomping-piano tribute to classic house. new jersey man coxx is behind the memorable soulgasm sessions volumes 1 & 2 released on strictly at the end of the zeros/beginning of the tens, and hes currently celebrating ten years of throwing the infamous soulgasm sessions parties around new york city. bronx resident morsy has notched up a brace of releases with nervous and, as part of the developing coxx & morsy partnership, a trio of tracks on kenny summit s good for you imprint. formerly part of the itinerant nyc dj crew crooked disco, he s played festivals like coachella opening for the likes of moby and steve aoki and lately travelled to gigs in europe along with a neat sideline playing cruise ship events. you can find him playing his weekly residency mr purple on the rooftop of the hotel indigo on manhattan s lower east side.

after 5 years of throwing parties in leeds, london and across europe, flux inaugurates their record label with a stunning 4-tracker from enigmatic newcomer shedbug. accompanying 3 original tracks are german heavyweights tuff city kids (gerd janson and lauer) on the remix. pressed onto 180g high quality black vinyl (no digital release), this limited run is presented in beautiful cover and label artwork from laura zhang. opening track aftermath is a lo-fi techno ballad that pairs distorted kicks and brittle hats with gliding pads and sparkling synth details. siren, a gawping broken-beat roller, counter-balances by drawing heavily upon pioneering sounds of late-2000s uk bass/dubstep. on the flip tck s retro take on aftermath is an uplifting gust of 90s-inspired euphoria. with tough beats, a touch of acid, and rave-tinged string lines, the remix caters for all peak-time occasions. recovery closes with a tender 7-minute sojourn through hazy dream-states, subtly melancholic, but ultimately a cathartic experience. poignant, effective, and well polished, afterglow delivers a diverse but focused sound. highly emotive beats for the more sensitive dance-floor

amsterdam’s coveted format returns with a fresh slice of techno funk by argentinean producer flug. format’s latest offering sees flug throwing down his signature techno sound across three tracks, all of which are centered around stripped grooves and menacing fx. first up is obscure cells, which combines an infectious synth arp to an ever evolving groove with the outcome being a very hypnotic track. x28 turns things up a notch with a powerful offbeat groove and mental synth squeaks, while the highly energetic trip02 marks a venture into detroit techno territory. a highly diverse ep of a grade quality, this one... format’s ninth release has become another dancefloor damaging piece of work.

a fistful of wax is an extension for some very special projects of our beloved deep house skylax records’ sub – label wax classic. for this 3rd release, we give you the opportunity to grab 4 fantastic trax done by some of the best deep house producers at the moment.a1 is done by some hot new guys straight from minsk s80 & overture “what’s up”.a2 has been made by kid mark “got to know” who released some hot tunes with nick beringer through swink music.while on the b side we have also 3 bomb tracks featuring first on b1 rosenhaft “ccmf” who’s done some tracks for 124 recordings too.b2 is done by the great alexander moralez & house of kotu “suffer” who is completely hot right now, throwing up parties in st petersburg, this track is clearly a pure deep house anthem.b3 and last is mike lee aka love island “a feelin’” in a an ibiza balearic house stylethose tracks are all firmly rooted into the deep house sound.they never settle into one comfortable, predictable groove. its heady, emotion-rich grooves include warm, melodic two-step and future garage flavas, dubwise slo-mo grooves. it s eclectic, no doubt, but thanks to those guys warm production and heavy deep vocals, this release will put your hands up in the air marvellously

dublin based disco imprint fatty fatty phonographics return with the 4th instalment of their downtownsounds classics series, this time throwing three stone-cold classics onto one 12, all given the re-edit treatment by in house producers pablo and shoey. voiced by leroy burgess, with drums by hip hop legend marley marl and production by the aleem brothers, release yourself was a huge across-the-board anthem in the clubs of nyc on its release in 1984. the lads have superglued elements of both the vocal and dub sides together for an epic end of night take on this beloved classic. the b side features two under appreciated classics from the pen of one billy nichols, a man known for his work with west end records (the levan mixed give your body up to the music ) and the funky band of brothers that was bt express. on take me... nichols hooked up with disco master patrick adams for an emotional, string drenched disco belter that has found favour with the likes of dimitri from paris, floating points and hunee. while dance if off is a wonky proto acid-disco trip beloved of rahaan and eric duncan of rub n tug. with copies going for over 300 euros, you can do your bank account and your dancefloor a favour here.

clip gebre ep abstract places audio ubiquitous barcelona producer edu tarradas keeps on gaining a wellearned reputation as clip. tarradas was invited to the 2011 red bull music academy in madrid and has provided vigorous releases to such labels as discomaths, struments, classicworks and fina white, where the pounding “brotherhoood ep” was released to be supported by serious selectors as ben sims, truncate, anja schneider, xxxy, throwing snow, skream, luke solomon and simon baker.
now, clip returns to action with the first release of his own imprint (along with fellow barcelona producer xixa) abstract places audio. this gebre ep confirms him as a true bassmaster in his own genre always providing emotional response to the floor twisting techno codes with a house groove with powerful basslines that are the spine of the development of the track.

cassette includes a free downloadcode – redeem via bandcamp.
after their latest release on kitball records hanne & lore are now back on their own imprint heulsuse. the catchy maintrack hushle is kept in total hanne & lore style and drives its way euphorically into the head, rolling drums, hypnotic lead sounds, funky vocal snippets and an almost cheeky groove make hushle to a true peaktime track.
bebetta is throwing a dazzling remix of hushle onto the dancefloor, full of atmospheric frequency and warmth between the fx sounds and soft chicago claps.
hanne & lore are turning down the speed by slipping lost in rimini, a crispy 80s house track, into our little italo disco.

limited edition of 300 numbered copies on white vinyl with download code included.
veil of light is the synth/postpunk solo project of a mystery man from zurich known to the wider world only as m. the project was born in 2012 when all the tracks for the veil of light eponymous 2013 ep released on belaten were recorded by m in a bunker near zurich. that last fact incidentally is a good way to describe the music released under this project’s name much like the mental image of a bunker it is cold dark and forces one into a contemplative resigned state. the influences that immediately come to mind listening to veil of light are 1980’s wave music post punk industrial and dark ambient all weaved together by an overarching depressive yet dreamy atmosphere. it has been called gothgaze and the description seems apt. the followup to the opener the 7” cold skin single released on edition gris and the debut lp simply titled as well as this years head/blood/chest ep continue in the same vein.

2016 reissue of the classic 1986 genesis album “invisible touch”.

if anything, stojche’s take on detroit inspired techno rarely requires your permission for engagement. the fifth installment of his own label, tangible assets, is no different. this singular producer always manages to conjure up otherworldly atmospheres that resonate from head to feet. with that said, we could spend the next three paragraphs throwing around adjectives and splashing colorful words all over this press release regarding his sound, the aesthetic within each track in this release, and we could even volunteer a side helping of words that somehow make sense of this young producers studio ability. one thing however is for certain. tang005’s true charm lies in its ability to capture an honesty and sincerity that’s as captivating as it is transcendent. there’s a clinical yet organic approach that stojche adopts time and time again in formulating his tangible asset releases, and if anything, tang005 should provide further evidence of his depth, maturity and innate ability to create enchantment. this record is wrapped in captivating moments born from flourishing stabs, twilight synths, rolling charges of calculated manic rhythms and subatomic motions living within a range of intricately programmed beats. add to that a host of cinematic sweeps that develop into harmonic clouds of melancholy and you’re one step closer to the true romance etched within the grooves of this record. once again, stojche has created an ep that catalyses imagination. a series of intense voyages with thoughtfully considered moments and movements that have been executed by a man well in tune with his craft.

nice price deal !!! adam-x should need no introduction as he and his brother, frankie bones, pioneered techno in a post-disco, pre-guiliani, new york city through the late-eighties and onwards past the nineties with countless productions under their belts and throwing renegade parties throughout the 5 boroughs. their record store sonic groove served as a hub for purchasing cutting edge electronic music from across the globe and was a meeting point for likeminded freaks throughout the city.

nice price deal !!! the abrasive duo from bordeaux, just a band, is back in spring with a 3rd record out in june, including the bouncy club hit to hell with gravity and a rework piece by stereoheroes! as every record has to bring something new to the table, the band is showing now to the people a new face with this contemplative atmospheric 2nd track :in amina vili. after their first two releases we are and burn it out, a whole bunch of remixes (such as acid jacks, thieves like us, alex gopher, ciacada), after touring europe and france, just a band is now reaching summits beyond any expectations. on this special occasion, the band is throwing a release party at the 4sans in bordeaux, the club that has seen the baby grow! the band hits the road in may (dublin, istambul, bordeaux, munich, bruxelle...), and plays in summer festivals (dance valley, genk on stage). support from alex gopher, gildas (kitsune), djedjotronic

gouru is launching its own label, submersive, with an ep from brendon moeller aka. echologist, including a remix from french duo hbtvsk (voiski & heartbeat).in 2014, to celebrate the 4th birthday of the webzine gouru, brendon moeller and hbtvsk were invited to play at la machine du moulin rouge (paris). following a car accident on his way to the airport of new york, brendon was unable to appear and play. to make up for this unfortunate incident, gouru offered brendon the inauguration of its new label submersive, and invited heartbeat & voiski aka hbtvsk, the duo he was supposed to share the stage with, to remix one track. 2 years later, the first ep of the label gathers all 3 artists who were not able to share the decks on stage, on the same record. as brendon himself says , “all good things take time” and instead of evoking the nostalgy of a party that did not happen, the record opens the doors of the imagination and takes us to a powerful collaboration between 2 artists’ generations, thereby showing us the techno scene at its best.zur opens the ball and sets the tone of the ep, a dub and progressive rise, based on a cyclic structure, punctuated by a random reverb. tension is maintained throughout and finally leaves room to filth, whose rhythm is faster, unrestrained, yet keeps an air of suspense and unpredictability - the perfect soundtrack for an exhausting race. looking for trouble plays on a more hypnotic side. with a dark yet electrifying atmosphere, rhythms are exalted by a strident and piercing melody, evolving alongside uncontrollable sounds, throwing us straight into a cosmic trip. faithful to the spirit of the ep, the filth remix delivered by hbtvsk is a perfect exercise of style. without denaturing the original track, the remix revisits it. its’ heavy, powerful mechanism is, at the same time, accurate and sharpened. certain parts of the original track are easily recognizable, which finally get lost in the subtle gearwheel of an anthem tinted by noise.

schwefelgelb is the electronic music project of sid & eddy. having carefully straddled the boundaries between techno, ebm and electro, the duo is entering 2016 with a 12” release on the new label incarnation of the berlin based fleisch collective. fleisch consists of a group of miscreants known for throwing some of the best curated dark underground dance parties in berlin, with a focus on sounds ranging from e.b.m., new beat, acid to techno. the metamorphosis of fleisch into a label could not demand a more fitting debut than schwefelgelb’s newest sonic discharge. tight programming, catchy analog synth-bass coupled with well utilized & frenetic shouted vocals echo the golden age of electronic body music. a refreshing progression of sounds moves the style forward without being afflicted with the formulaic and hollow tendencies befallen similar attempts by others acts over the years.

killers from bristol. recommended. support from ben ufo, bake, semtek, throwing shade.

ark & pit spector continue their inspired journey with an extended ep full of groovy jams and absorbing rhythms for hold youth. the frenchmen have formed a potent alliance with a series of expertly-crafted, high-quality releases dropping over the last couple of years. on this new ep they go deeper into their sound explorations with five original works and a remix from their parisian buddy and hold youth member, le loup. first up, we go into bumping jazzy territory with ‘chauffage central’, a mesmerising cut with swirling pads, soulful vocal clips and a jaunty b-line. straight up after that, hold youth rudeboy le loup gives ‘chauffage central’ a funky little rework, throwing live sounding percussion, nubian vocal clips, trumpet parps and a pumping bassline into the mix which gives a totally different identity. the final track on side a, is a cheeky teaser called ‘petite ondée’. rolling out for just under two minutes the track has a muffled, jazz-esque feel to it with a warm rolling bassline and bright, sparkling piano keys. on the flip we kick off with ‘air conditionelle’, a lush, retro feeling with those oh-so-familiar heavy-hitting eighties snare licks. the bassline takes you to a new york city street and the whole atmosphere is that of an old school nyc neighbourhood, while a spoken-word sample adds a human touch just before the track comes to an end. ‘sub tropical’ goes a little leftfield with an unusual combination of sounds in tandem with a pulsating low end, occasional sax licks and punchy percussion to give it plenty of energy. ‘averse et contre tous’ closes out the ep with a slothish ride into the sunset – ark and pit spector show their experimental side presenting an odd union between blues samples, gruff electronic sounds and piano keys. another triumphant effort from ark and pit spector, in fact, some of the finest work to date. make sure you check it out!

aïsha devi s of matter and spirit lp encapsulated the spiritual metamorphosis and transcendental journeys of this other-worldly figure. of matter and spirit remixes offers a series of new perspectives on the sonic wonders hidden within. irish duo lakker’s take on anatomy of light adds a heavy dose of syncopated percussion. recent ninja tune signing throwing shade transforms kim & the wheel of life into an introspective session. the remix ep boasts two reworks of mazdâ . berlin s mind:body:fitness interprets the track as a whirlpool of trance, and the spooky killing sound version features mc/vocalists rafael shafique and bogues. the collection enhances and twists the ethereal beauty within of matter and spirit and leads this singular, meditative artist straight into the ritualism of the dancefloor

slamming live edits , hot vinyl

the very first vinyl release from one of australia s leading underground lights, motorik. after throwing acclaimed warehouse parties across the nation, and a burgeoning selection of digital eps from local crew the finger prince, csmnt61, wordlife, jensen interceptor and made in paris, their debut vinyl release is a double a-side featuring the finger prince (made up of dreems and ex-infusion/freeland francis xavier) with their epic -don t talk to me-, a late-night exploration of trans-dimensional dance, plus a skittering, percussive remix from none other than vakula. on the flip is melbourne s mike callander (of haul music infamy) with physics, built around a wonky bassline for more dancefloor exploration. comeme mainstay christian s gets wild on the remix. a gorgeous package with art by babekuhl, delivered 2u on 180g vinyl for maximum bass. this is exclusive to vinyl and will not be released digitally for at least 12 months.

omes with empossed cover and bomus 7 inch vinyl - five guys jamming together, each throwing in funk-nuggets from a finely honed appreciation & a shared love of the good groove. this studio project was compiled from a free-wheeling desire to just team up and play together, see what happens... the holy trinity of rhodes, clav and live bass, all wrapped up in a heavyweight rhythm section has provided the backbone to over 50 years of ground-breaking and floor-shaking black american music. the max graef band project channels this energy with the tight efficiency of the headhunters tag-teaming the new power generation, oh yeah - anyone expecting elbow patch, 6th form funk can think again, this is mosquito’s tweeter territory folks. from raw, p-funkin jams to punk-funk workouts & freestyle jazz flavours, dog pays homage and wears its influences proudly, while bringing a fresh take on the foundation funk that informs this collective’s own celebrated sample-house revival.
the vinyl lp comes with a bonus 7 inch included.

rawax welcomes manooz to the family! manooz is a man on a mission. throwing down the sort of jackin house music that sounds like it was made with sweaty basements firmly in mind and still with a nod to his hip-hop roots, the manooz sound is making a firm impact on the global house music community. he constantly delivers a wide spectrum between raw & analog detroit/chicago/garage house and sophisticated warm deep house.

throwing rave parties since 2011, the bp collective has been founded with the objective of bringing a new breath to the french underground techno scene. in the bp tag und nacht” parties the visual universe tends to merge with the sound. each of the two stages has something different to tell: tag for the open air, nacht for the dark and smoky room. this project is based on the belief that the story told by sound depends on the visual atmosphere in which it is played. indeed this very first ep is built between those two atmospheres, the 4 tracks of the ep could be played in any of the two scenes tag or nacht with a totally different impact on the audience. on the tag stage, both of the tracks are colorful, atmospheric and dynamic whereas on the nacht stage, they become dark, trippy and powerful. this record is the first release of the two artists x1000 on the a side and vidock on the b side. both of them are part of the bp collective since the beginning, they draw their influences from the 90s detroit and belgium techno and trance scene. its difficult not to think about artists like the martian, model 500, robert leiner or the whole r&s label while listening to these 4 tracks.

it’s happening again… after showcasing the up and coming arcarsenal from bass cadet records on their first opus, the london via berlin based record label has found another young, talented and as-yet unknown producer – repo man – for his debut release, repo man has found a perfect home at tinh - deep balearic to weird stripped down techno to floor-filler summer jams, the tinh “anything goes” ethos is fully satisfied on this ep. to top it all off, the record comes armed with the great anaxander on remix duties, transforming “open green” into an upbeat, g-funk house scorcher - those crazy synths will get you throwing that bottle of hennessey high in the air!

arguably all but the most dedicated fans will have long forgotten most significant beat, a post industrial early 90s techno project from former clock dva man maurizio martinucci and esplendor geonetrico s saverio evangelista. this surprise vinyl compilation tells the story of their previously cd-only late 90s work, throwing in a previously unheard workout, the angular rhythms and sheffield bleeps of geometric state for good measure. for the most part, the material has aged remarkably well, and sits somewhere between the forthright madness of autechre, the spacey techno of detroit-via-frankfurt (see amy tekno) and the buzzing intensity of surgeon.

shaw cuts enters the site of crime with its first release called ‘have sword, will travel’. the ep includes 4 techno assassins – two tracks by the label founder himself lachriz, who introduces his shaolin moniker ‘farron’ and 2 remixes by the argentinian boxer jonas kopp. ‘equinox’ opens the slaughter with shaking break-beat punches in combination with atmospheric pads surrounding the drum jabs. ti lung would have been pleased. the track ‘apo-g’ comes in sly and chases the enemy with dirty drums and menacing distorted sound spheres that will morph the bad guys into dead guys – throwing star style. the b-side gets taken over all the way by jonas kopp, who brings up two different remixes of ‘equinox’ that can easily cut off the rival’s extremities like a sharp guillotine. and the carnage just begun

for centuries, young wild boars have been denied of their right to gather freely and fall in love. their military based rituals were designated to reinforce twisted ethical principles in the minds of the followers and were the only social interaction allowed. a group of young infidels finally stopped fighting the urge and created a new ritual based on dancing, called lambada. this spiritual journey awoke the suppressed spirit of the wild boar and revealed the sincerely beautiful nature of this noble animal. sadly, lambada soon became known as the forbidden dance and all its partakers were persecuted. to this day, lambada remains an underground ritual and the legalize lambada crew is on a quest to revive it by throwing disco parties and pressing undercover vinyl. true infidels in the likes of riccio and mikeburns are sending us the first manifest!

tangible sound is a brand new record label based in london and paris. over the past few years they have operated on both sides of the channel by throwing intimate parties in unique locations. the maya ep marks their first vinyl offering with two deep and hypnotic tracks from cntrl. the title track * maya* is an upbeat, peak time jam that revolves around a bouncy baseline, intricate drum work and strange sound effects which are sure to melt minds on and off the dance floor. * sound of modulation* is a psychedelic and pensive journey though minimal techno. complete with artwork from astrid de la forest, this release will appeal to those that like their music, stripped back and ultimately about the groove

damn! did somebody upset carlo coz that boy has been throwing down some vicious balls-to-wall beats across his recent releases... and we love it! he got nasty with shaded s gender bender and kicked some serious ass on his latest for carl cox s intec. whilst carlo s latest outings may be fierce, our toronto brother has lost none of the trademark funk that permeates all of his work. the magic ingredient that keeps our hips on the move. carlo returns to mood with deebug, the rampant techno tick that burrows into your brain with its rapid, pincer-like drums and thumping kick. on the flip its fellow ear-bug, no turning back, flows with an almost laid-back and effortless groove. a perfect pair from mr. lio.

krankbrother have been throwing infamous parties all over the uk & europe for the past 6 years, regularly hosting the likes of four tet, daphni, mr. g, gerd janson, paul woolford, roman flugel, levon vincent, derrick carter, john talabot & nina kraviz, amongst others. brothers danny & kieran clancy now launch krankbrother records as an outlet for their own productions, and those of their close associates and friends from the industry.

snow ghosts präsentieren nach ihrem debüt *a small murmuration* (2013) nun den nachfolger. *a wrecking* überrascht mit schattigen elemeneten britischer folklore und der härteren seite des experimentellen noise, eine durchaus eigensinnige kombination, die snow ghosts gothic-dream-pop-sound hier auszeichnet. ross tones (aka throwing snow) und hannah cartwright (augustus ghost) werden bei *a wrecking* vom multi-instrumentalisten oliver knowles (exes) begleitet. pressung auf 180 gramm vinyl.

after five years of throwing parties under the name green villain, the label green village was founded in 2014. their second release, come through for me features a single from new york city based dj/producer, policy. following his two recent albums on 100% silk in 2013, and rush hour in 2012, this will be his last release for 2014. the flip features a more dance floor friendly remix by london based, thefft which focuses on predominant percussion and off beat bass stabs.

cdc is the next materialism signing. uk talents are now throwing a massive vinyl with amp ep filled of housey grooves!

mako has his first full outing for the headz camp via meth xx, the fertile breeding ground for new metalheadz artists that gives them a chance for to express themselves with the music they are making right now.

thermo acoustics is the area of sound that seeks to reconcile the laws of sinuous audio strands with the existence of black hole event horizons. much as the study of the statistical mechanics of body radiation led to the experience of quantum sub dynamics, the effort to understand the statistical mechanics of bass has had a deep impact upon the understanding of holographic principle, leading to the formulation of these tracks.
pressing on transparent, red coloured & smokey marbled vinyl.

das debütalbum der belgischen indie pop-band

monki, cassio kohl, kastle, jimmy edgar, tensnake, aston shuffle ,horse meat disco, ray foxx, ministry of sound, stacey pullen, plus artist support from redbull, mixmag, xlr8r, and more.

david k represents something thats all too rare in electronic music today: an artist who makes music first and club music second. for him, emotion is paramount, melody is important, the pop format has its perks and original material is always better than a sample. late at night and early in the morning he dances alone in his studio, tapping away on his keyboards and throwing together arrangements on the fly (a pianist by training, he cant bear to make music slouched over a mouse). his only goal is to make something that will keep himself dancing.

affi is a glasgow based producer, dj and resident at the cult sunday circus, a collective infamous for throwing their long-lasting, day-after-the-night-before affairs. he regularly makes his presence felt at the most credible club nights and parties in and around the labels home town. as with the imprint he breaks ground for, koman has been making music for the last ten years with two previous releases already to his name. drawing inspiration from hawtins de9 - closer to the edit work with regard to the deconstruction of previous productions, the reassembling of intriguing new forms dominates his modus operandi and leads to this latest offering. the champagne breakfast ep puts forward the titular track on the a-side, ably abetted by in love and its dub remix love dub on the flip. an uplifting track which keeps on giving, the new release has already been subjected to test runs in the critical environs of a packed sub club and has proved worthy of the plaudits so far received.

alight is a new project by ross tones (a.k.a. throwing snow, and one half of snow ghosts), released through local action.